Autobiographies, bad albums(?), Youtube Topics

                                                                                    The Root Of My Belly

Hai there, fellow world citizens, hope you're all doing well......even when the ups seem to be going down, there's always music to comfort you in all in its mysterious ways. Since I don't know when, I've been enjoying that magical mystery of discovering new or old sounds. And when I'm hooked, I want to hear the whole story (also the really "bad" albums that artists have put out, they are there for a reason!). I also read a lot about the background of an artist/band and about the specific period when they had their thrills and frills. More mystery, curiosty kills the cat! Details about their spent youth I find mostly boring though, but that's the unavoidable, cliché part of biographies. As is the road to hell and back (drugs, more drugs, meditation, fame, goeroes, religion, good or bad music and more drugs), but I also find this a fascinating and welcome treat.
A different approach to this, Ray Davies did with his X-Ray book. Almost in a Wellesian thriller-like surreal way, he reflects back on his life. Excellent.
Sometimes the most narcistic auto-bios are the most fun to read, like the ones from the ex-members of KISS (no, I'm not a fan, just curious), Ace Frehley and Peter Criss. Talking about the typical sex, drugs rollercoaster stories and how they reflect back on their masks and..... lizzard-tongue Gene Simmons haha. Yes, some of those life lessons you just don't want to try out at home!

                                                                                       Vanished Dutchmen

Youtube is growing in numbers and in songs. Any prolific artist/band has got a "topic" there, generating all the stuff relating to your own favourites for easy access. Great when you're just reading another biography of Zappa, Townshend, Barrett and the like, you can create a fitting biography playlist to set the mysterious mood...

I will not write a biography of this vanished dutchman, no. I did not do drugs, banged the other man's wife or trashed the occasional hotel room, or did I? When I was young and o-so selfimportant brash, it was the grey, boring and fricking Eighties man! I'm so neat.....
But... JoosTVD has got few vids up there on Youtube (JoosTVD Topic), some have been uploaded by me from my own JoosTVD official (this is the stuff for biography-philes to find out about TVD), but a lot by one of my distribution labels iMusician. You can subscibe to different channels (pop, urban, rock, etc) up there. As common with all stream platforms, it's just another fun way to create personal playlists within a few clicks. So all my favourite artist are up there as "Topics".
The same is happening on facebook by the way, here's my topic of That Vanished Jojo. It's all generated by different sources and the listening behaviour of the curious ones.
Still, with all this accessibility, I will not, ever, give away my vinyl, cassettes, singles, cds, self-build racks, it's my life, you're talking about here, man!
So gather all your favourites and read some, I'm going back to my favourite drug....Bye, buy!

                                                                                                         Ragman

Listen to the radio! The musical higlights of 2012

I haven't listened to radio for years. Well, as a young boy I used to have my own a radio-djshow, rattling out my top 40, as I chose my special faves I bought of a perticular year. I played the best tracks for myself and the rest of the household. I don't do that anymore, because there's not many to choose from. Guess I stick with old seventies stuff I grew up with. I didn't often search in the extreme sections/ styles though. I mean, I love all kinds of music and if an artist has those eclectic, colourful qualities, such as Todd Rundgren, David Byrne or Frank Zappa, I'll always go back and listen to those, problably till the day I die. I do love the rock element (as in Who, Kinks, Led Zeppelin), blues (Muddy Waters, J.L.Hooker) and any of the ethnic, traditional stuff, but not for a whole day. Black music (soul, R&B, funk, latin) did the trick for me and my poproots (10cc 1972-1975 period) got injected with that. Eclectic brew, cross-over, blue-eyed stuff, quirky avantgarde mix.
I still listen to the "new" stuff, as long as it takes itself not too serious. In  my opinion, the alternative music scene (journalists hyping) of today do that to the core. They don't even know that they are as mainstream as the AOR eighties nowadays. The real alternative doesn't really excist, because you can't stay in the lo-fi underground forever. It's all in the mind. So, free your mind and.....!

2012 was a very good eclectic year! For me, these three young artists have stood out this year:

Michael Kiwanuka- Home Again

Retro (20, 30, 40ies, etc... next to the bloody eighties stuff) is the word since Amy Winehouse spread her voice all across the ether. So these nostalgic feelings do miracles in these troubled times. That's what is done on this album in very subtle, sympathetic way (like Labi Siffre seventies), with a warm soulful voice that never abandons his african roots. It's comforting, intimate, though familiar stuff.

Esperanza Spalding- Radio Music Society

A lot of great young interesting (mostly) jazz musicans come up today and yes, here's such a serious hard working and ambitious young lady at work. Challenging stuff rhythmically with sweet seventies George Duke- Stevie Wonder influences. Tight played and interesting chord progressions with lovely, floating melodies on top. She doesn't take the easy route, so it's a brave effort.

Cody ChesnuTT- Landing On A Hundred

As a whole it's not as quirky as his crazy debut, but the way he treats the retro-machine is very appealing to me. Ok, Marvin shines through in the vocals, but it's damn fine done. Colourful, uplifting, tighter as his debut. 

Ok, now what about the older guys?
My absolute fave of the year is:

Loudon Wainwright- Older than My Old Man Now

Self-reflective as always, how to combine humor with  the "growing older" symptoms. His conversation about sex with Dame Edna in "I Remember Sex" for instance. How it used to be. Hilarious. Thoughtful is his duet with son Rufus in "The Days That We Die", very recognizable that tricky family stuff. No more "Festen" needed. A tear and a laugh is enough for me. Let me grow old then...

David Byrne/ St Vincent- Love This Giant

Not satisfying on the whole, but these two different generations challenge eachother and do the trick with the horns, sometimes they overdo it. It's biting quirky stuff, but it doesn't hurt too much that it's killing me.

Yes there's more, like Mike Keneally, Rufus Wainwright (almost AOR), Joan Armatrading (back to the good seventies stuff) and Donald Fagen (no surprises, slick), Scott Walker (waiting for Scott 5, still interesting though). Well there is always more!
Pretty mainstream (or is it alternative?!) I guess. Not obscure. Well, it's a bit of everything and for everyone. Check them out! 

By the way, my personal musical highlight (the bomb went off!), next to a release of a new album, was to be chosen as a fresh fave by Tom Robinson and to be played on his saturday evening show, next to the likes of Paul Simon, Marc Bolan and Pete Townshend. Thanks Tom, very grateful to be on BBC radio. Read: Tom Robinsonshow

Next to listening the new and old stuff, I'm addicted to biographies. Not especially the above artists, but everything, mostly working in the entertainment business. Here's a list of the books I've read past year:

Robert Sellers- Hellraisers (Peter O'toole, Oliver Reed, Richard Burton, Richard Harris)
John Densmore- Riders On the Storm (his personal experiences with Mojo Risin')
Jeff Kaliss- I want to take you higher (on Sly and the Family Stone)
Eric Burdon- Don't let me be misunderstood (his life in lows and highs)
Julian Palacios- Dark Globe (very detailed story on Syd Barrett)
Mark Wilkerson- The life of Pete Townshend
Dave Zimmer- Crosby, Stills & Nash 
Levon Helm with Stephen Davies- This wheel is on fire (hot stuff!)
Dory Previn- Midnight baby (totally unique!)
Harry shapiro- Jack Bruce Composing himself
Peter Carlin- Catch a wave (on Brian Wilson's dark journey)
Stewart Copeland- Strange things happen (on Sting, Sting, hobbies and the Police)
Martin Heylen- In mijn hoofd (about Raymond van het Groenewoud, brilliant Belgian singer-songwriter)
Simon Callow- Hello americans (his second book about Orson Welles)
Janis Ian- Society's child (brave singer-songwriter!)
Christopher Sandford- McCartney
Lee Underwood- Blue melody (his times with and without Tim Buckley)
Hans Lafaille- Showbizz blues (Cuby & the Blizzards drummer tells his often funny story)
Bertus Borgers- Weg van hier (Sweet d'Buster sax-player reflects on his youth)
Billy James- A dream goes on forever (first of two books on Todd Rundgren)

And a lot of stuff I still have to read, before I go blind...O, and I watch movies, and, and...
Well, guess now you know it. The "Where did I get my inspiration from?"
That was 2012 for me. Hope we'll have an eclectic and energetic 2013 then, cheers!