2013?

2013? Lou Reed is gone. Not a perfect day, but......reminds me how big his influence as an artist is, now even more.

But success in the music business is a very relative thing and Lou did his time in the rodeo.                                             

2013? More and more people decide to try out the bumpy road to fame and fortune. They often wonder why the glamour doesn't happen or... not as quickly and sensational as on TV. You sister says it's good, so.....duh?!

2013? You have to ease down a bit and take a deep breath. I think there's a lot more pros in it for us all in the end.
Yes, create excitement! You can still play the live-circuit and sell a few cd's afterwards, but on top of that-with a little bit of healthy self-reflection and some bold determination-you can get your own fifteen minutes. You can easily spread and share the best(!) of your (musical) works in a digital way (Fandalism, Jamendo, Soundcloud, Bandcamp, Youtube) and create your own "fans". If they like your music, they can spread it for you among their buddies. Some of these potentials can become loyal listeners, others will move on. A lot of helpful recourses to try out in your favor, a great one is Tom Robinson's Fresh On The Net.


2013? Nowadays you can bring out a new album without any restrictions of a label. I know it will give the listeners way too much to listen to. But I think the level of musicianship/produktion is so way up high, you can easily filter the bad from the goody, goody stuff.

2013? So glad my humble latest "The Ballooning Brouhaha" has brought me a few more new listeners and podcasters. It got me more feedback, radioplays (Croydon radio London, Tom Robinson's BBC6 Mixtape, Radio 98Eins Germany, got reviews from loyal journalists like Nathan Norgel). Yes, times have changed. Next year there'll be a new one, right on schedule.

1975! Back in the glam/disco/pre-punk days...
As I became such a crazy, curious and fanatic music lover when I was fresh and wet behind the ears, I used to tape every new, exciting tune I heard on the radio. Saved every dime I could to spent it on the new one of Bowie, Roxy Music, Boz Scaggs, Steve Miller, Zappa, John Martyn, Steely Dan and many more just for discovery purposes. I followed and supported their careers, even if the albums got crappier. Expectations. The human factor.
The excitement of discovery. Especially Zappa albums (talking vinyl here!) were unavailable or very expensive, so I was always glad to find one in a secondhand store. I spent hours and hours of magic shopping in Amsterdam (one called Concerto, 4 stores full of rare stuff) and I' m still proud of all those rare, often unknown and often pricey (aargh!) gems I've found there.

2013? Along the years I have created my own "recordstore" (a small music library of about 13.000 cd's, 1500 vinyl). Freedom for my ears, food for the mind & soul and not least inspiration for my own creations. I shall not count a 3TB harddisk full of the rest in mp3 format though. Modern times.

2013? I have never stopped looking for another obscure album.
The discovery is everywhere, not far away, just one mouseclick....voila! Streaming is the new buy.

So here are my most spotified albums of 2013 (very close but no sigar: the magnificent and surprising stragedy (marketing!) aka comeback album of Bowie, the verrrry Beatlesesque album of McCartney or the seemingly interesting Elvis Costello/ Roots combination, all simply great to have back for their age(!), but in my opinion, not all that strong compositionwise, but what do I expect):

Jonathan Wilson- Fanfare

Yes, I don' t like retro! But even if this recalls the seventies, it's is done in a very colourful, loving and organic way. The guest list, Crosby & Nash harmonies deja vuing around beautiful melodies. And there's also excitement in the playing and variety in the arrangements.

Darth Vegas- Brain Washing For Dirty Minds (Ok late 2012 release, late discovery)










10 years after their even crazier debut came this Zappa-esque slapstick rollercoaster of sounds. Full of funny musical surprises. Everytime I laugh my ass off when I play these 2 records. Long live Zappa.

Janelle Monae- Electric Lady











A grower. Had to listen again and again, it just crept under my skin.

 Prefab Sprout- Crimson/Red

          

 

                                                                                                                                                                                                                            

So glad Paddy came out of his cave! No surprises here. Songwriting to the core.                                                                                                                                                                                                                                                                                                                                                                            
And for the sensational background information, here's a few books I've read this year. 
As usual, mostly sleezy biographies. Recommended:                                                                                                                                              

Neil Young- Waging Heavy Peace
Nick Kent, Apathy for the Devil A Seventies Memoir

Ryan O'Neal - Both of Us

Victor Bockris- Up-Tight The Velvet Underground Story                                                                        

Marc Elliot- Paul Simon                                                                                                                          

Ray Manzarek- Light My Fire                                                                                                                

Garth Bardsley- Stop The World (Anthony Newley)                                                                                 

Billy James- A Dream Goes On Forever (Todd Rundgren) Vol.1 & 2 

Paul Meyers- A Wizard A True Star (Todd Rundgren In The Studio) 

Al Kooper- Backstage Passes & Backstabbing Bastards 

Bertus Borgers- Ik Hou Van Herman                

Listen to the radio! The musical higlights of 2012

I haven't listened to radio for years. Well, as a young boy I used to have my own a radio-djshow, rattling out my top 40, as I chose my special faves I bought of a perticular year. I played the best tracks for myself and the rest of the household. I don't do that anymore, because there's not many to choose from. Guess I stick with old seventies stuff I grew up with. I didn't often search in the extreme sections/ styles though. I mean, I love all kinds of music and if an artist has those eclectic, colourful qualities, such as Todd Rundgren, David Byrne or Frank Zappa, I'll always go back and listen to those, problably till the day I die. I do love the rock element (as in Who, Kinks, Led Zeppelin), blues (Muddy Waters, J.L.Hooker) and any of the ethnic, traditional stuff, but not for a whole day. Black music (soul, R&B, funk, latin) did the trick for me and my poproots (10cc 1972-1975 period) got injected with that. Eclectic brew, cross-over, blue-eyed stuff, quirky avantgarde mix.
I still listen to the "new" stuff, as long as it takes itself not too serious. In  my opinion, the alternative music scene (journalists hyping) of today do that to the core. They don't even know that they are as mainstream as the AOR eighties nowadays. The real alternative doesn't really excist, because you can't stay in the lo-fi underground forever. It's all in the mind. So, free your mind and.....!

2012 was a very good eclectic year! For me, these three young artists have stood out this year:

Michael Kiwanuka- Home Again

Retro (20, 30, 40ies, etc... next to the bloody eighties stuff) is the word since Amy Winehouse spread her voice all across the ether. So these nostalgic feelings do miracles in these troubled times. That's what is done on this album in very subtle, sympathetic way (like Labi Siffre seventies), with a warm soulful voice that never abandons his african roots. It's comforting, intimate, though familiar stuff.

Esperanza Spalding- Radio Music Society

A lot of great young interesting (mostly) jazz musicans come up today and yes, here's such a serious hard working and ambitious young lady at work. Challenging stuff rhythmically with sweet seventies George Duke- Stevie Wonder influences. Tight played and interesting chord progressions with lovely, floating melodies on top. She doesn't take the easy route, so it's a brave effort.

Cody ChesnuTT- Landing On A Hundred

As a whole it's not as quirky as his crazy debut, but the way he treats the retro-machine is very appealing to me. Ok, Marvin shines through in the vocals, but it's damn fine done. Colourful, uplifting, tighter as his debut. 

Ok, now what about the older guys?
My absolute fave of the year is:

Loudon Wainwright- Older than My Old Man Now

Self-reflective as always, how to combine humor with  the "growing older" symptoms. His conversation about sex with Dame Edna in "I Remember Sex" for instance. How it used to be. Hilarious. Thoughtful is his duet with son Rufus in "The Days That We Die", very recognizable that tricky family stuff. No more "Festen" needed. A tear and a laugh is enough for me. Let me grow old then...

David Byrne/ St Vincent- Love This Giant

Not satisfying on the whole, but these two different generations challenge eachother and do the trick with the horns, sometimes they overdo it. It's biting quirky stuff, but it doesn't hurt too much that it's killing me.

Yes there's more, like Mike Keneally, Rufus Wainwright (almost AOR), Joan Armatrading (back to the good seventies stuff) and Donald Fagen (no surprises, slick), Scott Walker (waiting for Scott 5, still interesting though). Well there is always more!
Pretty mainstream (or is it alternative?!) I guess. Not obscure. Well, it's a bit of everything and for everyone. Check them out! 

By the way, my personal musical highlight (the bomb went off!), next to a release of a new album, was to be chosen as a fresh fave by Tom Robinson and to be played on his saturday evening show, next to the likes of Paul Simon, Marc Bolan and Pete Townshend. Thanks Tom, very grateful to be on BBC radio. Read: Tom Robinsonshow

Next to listening the new and old stuff, I'm addicted to biographies. Not especially the above artists, but everything, mostly working in the entertainment business. Here's a list of the books I've read past year:

Robert Sellers- Hellraisers (Peter O'toole, Oliver Reed, Richard Burton, Richard Harris)
John Densmore- Riders On the Storm (his personal experiences with Mojo Risin')
Jeff Kaliss- I want to take you higher (on Sly and the Family Stone)
Eric Burdon- Don't let me be misunderstood (his life in lows and highs)
Julian Palacios- Dark Globe (very detailed story on Syd Barrett)
Mark Wilkerson- The life of Pete Townshend
Dave Zimmer- Crosby, Stills & Nash 
Levon Helm with Stephen Davies- This wheel is on fire (hot stuff!)
Dory Previn- Midnight baby (totally unique!)
Harry shapiro- Jack Bruce Composing himself
Peter Carlin- Catch a wave (on Brian Wilson's dark journey)
Stewart Copeland- Strange things happen (on Sting, Sting, hobbies and the Police)
Martin Heylen- In mijn hoofd (about Raymond van het Groenewoud, brilliant Belgian singer-songwriter)
Simon Callow- Hello americans (his second book about Orson Welles)
Janis Ian- Society's child (brave singer-songwriter!)
Christopher Sandford- McCartney
Lee Underwood- Blue melody (his times with and without Tim Buckley)
Hans Lafaille- Showbizz blues (Cuby & the Blizzards drummer tells his often funny story)
Bertus Borgers- Weg van hier (Sweet d'Buster sax-player reflects on his youth)
Billy James- A dream goes on forever (first of two books on Todd Rundgren)

And a lot of stuff I still have to read, before I go blind...O, and I watch movies, and, and...
Well, guess now you know it. The "Where did I get my inspiration from?"
That was 2012 for me. Hope we'll have an eclectic and energetic 2013 then, cheers!