Muziekwereld

 Yes, Fred Pach's "Music World" page gives the new album another boost! Thks Fred! Read

Magnificent Review in Bluestown Music!

 

The excitement of reading this review got my knees shaking! Thanks Peter and Harry!

Review in Bluestown Music

Dutch:

JoosTVD – Suit Yourself
Format: CD – Digital / Label: Independent
Release: 2021
Tekst: Peter Marinus

JoosTVD is misschien ook bekend als “Joost De Verdwenen Nederlander” en heet eigenlijk Joost van Dinther. Hij heeft zichzelf voorgenomen om elk jaar een album uit te brengen met zijn “slaps(t)ick humor” en een mengeling van pop, jazz, funk. Latin en rhythm & blues.

Zijn nieuwe muzikale avontuur werd opgenomen in zijn kleine Kitchensink Studio in Utrecht. Joos krijgt het weer voor elkaar om je van het begin tot het eind van het album ademloos toe te laten luisteren.

Het album opent met de “kromme” latin van Know No Better Way waarin warme samba klanken hand in hand gaan met eigenzinnige geluiden die aan Yello en the Yellow Magic Orchestra doen denken.

Vervolgens stapt Joos over op de loom deinende electrofunk in Meet In The Middle. Een nummer met de warm croonende zang van Joos en uiteraard de nodige eigenzinnigheid, ditmaal doorspekt met Todd Rundgren invloeden.

The Buzz is een luchtig swingend nummer dat doet denken aan de Gruppo Sportivo zijtak the Buddy Odor Stop maar net zo makkelijk ook aan de jazzy klanken van een Ben Sidran of Mose Allison. En daar scheurt Joos dan ook nog eens schroeiend doorheen met een elektrische gitaarsolo. The Cat Gang deint broeierig verder met wederom “kromme” samba klanken waarin Steely Dan dit keer aanwezig is.

Tapdancing Liar is een soort “hink-stap-sprong funk”, die klinkt alsof Ben Sidran de funky hik heeft. Zie hier maar eens op te tapdansen!

De blues duikt op in World Of Make Believe dat bluesy als G. Love klinkt maar dan met de JoosTVD eigenzinnigheid, hetgeen inhoudt dat Joos weer strooit met jazzy en samba klanken.

Van het luchtig swingende Suit Yourself word je automatisch vrolijk. Al was het alleen maar door die Herb Alpert tijuana trompet! Suit Myself is zeer funky, hoekig groovend en met een loom samba gevoel.

King Without Token tintelt, is funky, en mengt Steely Dan, Beck en lo-fi. Wat krijg je als je Van Dyke Parks, Todd Rundgren en Steely Dan met elkaar mixt? De verraderlijk lome deiner World Of Disbelieve.

Het intiem deinende Wise Men doet vervolgens aan Fay Lovsky denken en Joos sluit het avontuur af met de funky fusion van Danser Ou Changez.

Na dit magistrale zeventeende album van JoosTVD kijk ik nu al weer uit naar deel 18!

English:

JoosTVD – Suit Yourself
Format: CD – Digital / Label: Independent
Release: 2021
Text: Peter Marinus

JoosTVD may also be known as “Joost De Verdwenen Nederlander” and is actually called Joost van Dinther. He has decided to release an album every year with his “slaps(t)ick humor” and a mixture of pop, jazz, funk. Latin and rhythm \u0026 blues.

His new musical adventure was recorded in his small Kitchensink Studio in Utrecht. Joos manages to let you listen breathlessly from the beginning to the end of the album.

The album opens with the “crooked” Latin of Know No Better Way in which warm samba sounds go hand in hand with idiosyncratic sounds reminiscent of Yello and the Yellow Magic Orchestra.

Joos then switches to the languid heaving electrofunk in Meet In The Middle. A song with the warm crooning vocals of Joos and of course the necessary idiosyncrasy, this time interspersed with Todd Rundgren influences.

The Buzz is an airy swinging song that is reminiscent of the Gruppo Sportivo side branch the Buddy Odor Stop but just as easily to the jazzy sounds of a Ben Sidran or Mose Allison. And Joos also rips through it with an electric guitar solo. The Cat Gang sweltering on with yet another “crooked” samba sounds in which Steely Dan is present this time.

Tapdancing Liar is a kind of “hopple-jump funk”, which sounds like Ben Sidran has the funky hiccups. Look at this tap dancing!

The blues pops up in World Of Make Believe that bluesy sounds like G. Love but with the JoosTVD quirkiness, which means that Joos again sprinkles with jazzy and samba sounds.


 The lightly swinging Suit Yourself automatically makes you happy. If only because of that Herb Alpert tijuana trumpet! Suit Myself is very funky, angularly grooving and with a languid samba feeling.

King Without Token tingles, is funky, and mixes Steely Dan, Beck and lo-fi. What do you get when you mix Van Dyke Parks, Todd Rundgren and Steely Dan? The treacherous languid deiner World Of Disbelieve.

The intimate heaving Wise Men then reminds us of Fay Lovsky and Joos concludes the adventure with the funky fusion of Danser Ou Changez.

After this magnificent seventh album by JoosTVD look I'm already looking forward to part 18! 

Review in Bluestown Music!

Well, this a pleasant surprise to my eyes. A  lovely review from Bluestown Music!

Joos TVD – Doesn’t Ring A Bell
Format: CD – Digital / Label: Eigen Beheer
Releasedatum: 2020
Tekst: Peter Marinus

English:
It is an annual ritual. Joos TVD delivers another album. This time for the sixteenth time! And still Joos TVD is not an established name in Dutch pop music. However, I keep insisting to bring it to your attention.

This concerns singer-songwriter Joost van Dinther, also known as the Vanished Dutchman.

At least he has a fan in the British artist Tom Robinson (known from 2-4-6-8 Motorway) because Robinson played a number of Joos song in his radio program on BBC6.

A characteristic of Joos's music is the adventure that resonates in his music in which all kinds of musical examples of Joos crop up.

On his new album Joos clearly has the summer in his head because in almost all songs there is a languid, sunny sound in which I often encountered the sound of Kevin Ayers.

Right in the opening track The Heavy Donut Discount Blues you are already in the Caribbean, rocking your hip with a cocktail in your hand, musing about a heavy donut. Joos sounds like our own Kid Creole here. The cocktail atmosphere lingers in Flower Power Festival, a sultry heaving song with a great Kevin Ayers content, which is not surprising since Ayers also liked a “Caribbean Moon”.
In When U Go Rong, Joos moves to an intimate Spanish village, where a la Kevin Ayers / J.J. Cale release a loom number on us. A song that is so good that it makes you spin. The warming Do It Without Love reminds us of the early work of Todd Rundgren and Fay Lovsky with frolicking keyboard work.
Smart then has a funky 80's wave sound a la Orange Juice with a wonderfully grooving funky bass and a suddenly emerging tear guitar.
Then Joos goes on a sultry cradle tour with the almost bossa nova-like And Again. With Midnight Cowgirl it's time for a grinder. An instrumental song that sounds like a lazy mix of nightclub jazz and “Don't Cry For Me Argentina”.
It remains romantic in the fragile romantic ballad Cold with a beautifully strumming acoustic guitar, which evokes a true After Eight atmosphere. And Joos keeps it cold.
The funkbas returns in Get Your Facts Straight. Funky as Heaven 17 or Talking Heads. U Save Lies also functions more in a sparkling angular way.
After the gracefully floating instrumental ballad To An Inchworm with his melancholy crying synthesizer, Joos closes the album with the absurd ragtime of Over My Very Dead Like. And I have the word on it, Joos. Over my dead body….

Joos TVD again manages to come up with an album that is full of all kinds of musical adventures.

Once again I call on everyone to give this album a try! 

 

Announcement!

Here a shout-out of my friends from Bluestown Music:

Doesn't Ring A Bell

A review will follow.....I hope!
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