zaterdag 16 mei 2020

Review in Bluestown Music!

Well, this a pleasant surprise to my eyes. A  lovely review from Bluestown Music!



Joos TVD – Doesn’t Ring A Bell
Format: CD – Digital / Label: Eigen Beheer
Releasedatum: 2020
Tekst: Peter Marinus





English:
It is an annual ritual. Joos TVD delivers another album. This time for the sixteenth time! And still Joos TVD is not an established name in Dutch pop music. However, I keep insisting to bring it to your attention.

This concerns singer-songwriter Joost van Dinther, also known as the Vanished Dutchman.

At least he has a fan in the British artist Tom Robinson (known from 2-4-6-8 Motorway) because Robinson played a number of Joos song in his radio program on BBC6.

A characteristic of Joos's music is the adventure that resonates in his music in which all kinds of musical examples of Joos crop up.

On his new album Joos clearly has the summer in his head because in almost all songs there is a languid, sunny sound in which I often encountered the sound of Kevin Ayers.

Right in the opening track The Heavy Donut Discount Blues you are already in the Caribbean, rocking your hip with a cocktail in your hand, musing about a heavy donut. Joos sounds like our own Kid Creole here. The cocktail atmosphere lingers in Flower Power Festival, a sultry heaving song with a great Kevin Ayers content, which is not surprising since Ayers also liked a “Caribbean Moon”.
In When U Go Rong, Joos moves to an intimate Spanish village, where a la Kevin Ayers / J.J. Cale release a loom number on us. A song that is so good that it makes you spin. The warming Do It Without Love reminds us of the early work of Todd Rundgren and Fay Lovsky with frolicking keyboard work.
Smart then has a funky 80's wave sound a la Orange Juice with a wonderfully grooving funky bass and a suddenly emerging tear guitar.
Then Joos goes on a sultry cradle tour with the almost bossa nova-like And Again. With Midnight Cowgirl it's time for a grinder. An instrumental song that sounds like a lazy mix of nightclub jazz and “Don't Cry For Me Argentina”.
It remains romantic in the fragile romantic ballad Cold with a beautifully strumming acoustic guitar, which evokes a true After Eight atmosphere. And Joos keeps it cold.
The funkbas returns in Get Your Facts Straight. Funky as Heaven 17 or Talking Heads. U Save Lies also functions more in a sparkling angular way.
After the gracefully floating instrumental ballad To An Inchworm with his melancholy crying synthesizer, Joos closes the album with the absurd ragtime of Over My Very Dead Like. And I have the word on it, Joos. Over my dead body….

Joos TVD again manages to come up with an album that is full of all kinds of musical adventures.

Once again I call on everyone to give this album a try! 





 

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